ΕΛΛΗΝΕΣ ΚΑΛΛΙΤΕΧΝΕΣ ΣΤΟ ΣΙΚΑΓΟ ΙΛΛΙΝΟΪ Η.Π.Α.
ΖΩΓΡΑΦΟΙ - ΓΛΥΠΤΕΣ - ΜΟΥΣΙΚΟΙ - ΗΘΟΠΟΙΟΙ - ΤΡΑΓΟΥΔΙΣΤΕΣ - ΠΟΙΗΤΕΣ - ΛΟΓΟΤΕΧΝΕΣ - ΚΑΛΛΙΤΕΧΝΕΣ

PHSAC - GREEK ARTISTS IN CHICAGOLAND ILLINOIS
PAINTERS - SCULPTORS - MUSICIANS - ACTORS - SINGERS - POETS - WRITERS - ARTISTS
TO SUBSCRIBE TO CHICAGO.AGRINO.ORG PLEASE SEND YOUR INFO TO
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..and there the Greeks can be our masters and teachers, as they have been our masters and our teachers in so many other things. They can show us the way back to a consciousness of that universality that underlies all human achievements. They can make us once more realize that nothing in this world exists quite in and by and for itself, but that everything pertaining to the human spirit is correlated and interrelated with everything else. And by so doing they can once more give us a feeling for something that is in truth the beginning and end of all wisdom.
Hendrik van Loon The Arts

Κάτω: ΕΛΛΗΝΙΚΟ ΑΕΤΩΜΑ - BELOW: HELLENIC AETOMA
Ελληνικό Αέτωμα
Κάτω: Το Θέατρο του Ηρώδου του Αττικού στην Αθήνα - Ελλάδα
Θέατρο Ηρώδου Αττικού - Αθήνα Ελλάς

No GREEK ARTIST-PAINTER-SCULPTOR-MUSICIAN-ACTOR-SINGER-POET-WRITER IN CHICAGO IL
ΕΛΛΗΝ ΖΩΓΡΑΦΟΣ-ΓΛΥΠΤΗΣ-ΗΘΟΠΟΙΟΣ-ΤΡΑΓΟΥΔΙΣΤΗΣ-ΠΟΙΗΤΗΣ-ΛΟΓΟΤΕΧΝΗΣ ΣΤΟ ΣΙΚΑΓΟ
1 GARSOTGARSOT - ΖΩΓΡΑΦΟΣ - ΜΟΥΣΙΚΟΣ - PAINTER-MUSICIAN
SOTIRIS GARDIAKOS - ΣΩΤΗΡΗΣ ΓΚΑΡΔΙΑΚΟΣ
FROM VALTA - FILIATRA MESSINIAS - GREECE
ΒΑΛΤΑ - ΦΙΛΙΑΤΡΑ ΜΕΣΣΗΝΙΑΣ - ΕΛΛΑΣ
ΟΜΙΛΟΥΜΕ ΕΛΛΗΝΙΚΑ
Έργα: Τα έργα του Γκαρσώτ περιλαμβάλουν πολλά είδη, από κλασσικά, μοντέρνα, μέχρι σουρεαλιστικά. Ένα θέμα που παραμένει σταθερό είναι ότι ο Γκαρσώτ ζωγραφίζει για να εκφράσει τα αισθήματα της αισιοδοξίας, της ελπίδας, και να κάνει τον καθένα να αισθάνεται καλά για ένα καλύτερο μέλλον.

Works: Garsot's works comprise many different styles, from classic to modern to surrealism. One concept remains evident, Garsot paints to portray feelings of optimism, hope, to make everyone feel good for a better tomorrow.
700 Peterson Ave. Park Ridge, IL 60068
Ιστοσελίδες: http://www.garsot.com/
Ηλεκτρονικό Ταχυδρομείο:
garsot2001@yahoo.com

2 ΒΟΥΛΑ ΚΑΡΑΧΑΛΙΟΥ - ΛΑΪΚΗ ΤΡΑΓΟΥΔΙΣΤΡΙΑ
VOULA KARAHALIOU - GREEK VOCALIST AND SINGER
FOR ALL YOUR GREEK ENTERTAINMENT NEEDS
ΟΜΙΛΟΥΜΕ ΕΛΛΗΝΙΚΑ - ΓΙΑ ΟΛΕΣ ΤΙΣ ΕΛΛΗΝΙΚΕΣ ΣΑΣ ΔΙΑΣΚΕΔΑΣΕΙΣ
(847) 297-5382
3 ΜΙΧΑΛΗΣ ΠΑΦΙΤΗΣ - ΕΛΛΗΝ ΤΡΑΓΟΥΔΙΣΤΗΣ - ΜΟΥΣΙΚΟΣ - εξ Αιγύπτου
MICHALIS PAPHITIS - GREEK SINGER
FROM ALEXANDRIA, EGYPT
ΟΜΙΛΟΥΜΕ ΕΛΛΗΝΙΚΑ
(646) 337-0779
4 ΟΛΥΜΠΙΑΚΟ ΕΛΛΗΝΙΚΟ ΧΟΡΕΥΤΙΚΟ ΣΥΓΚΡΟΤΗΜΑ
OLYMPIAN GREEK DANCE TROUPE OF CHICAGO

Director: Nick Callas - Διευθυντής Νίκος Κάλλας
ΟΜΙΛΟΥΜΕ ΕΛΛΗΝΙΚΑ
Διεύθυνσις:
P.O. Box 2372
Glenview, IL 60025
Τηλ: (847)-828-4863
Ιστοσελίδες: www.OlympianDancers.com
Ηλεκτρονικό Ταχυδρομείο: Callas@megsinet.com
Είμαστε ένα Ελληνικό Χορευτικό Συγκρότημα με έδρα το Σικάγο που διαφυλάττει και εξαπλώνει την  πλούσια Ελληνική μας κουλτούρα και Ελληνικό πολιτισμό, μέσα από χορούς, μουσική, και παραδοσιακές Ελληνικές Στολές. Μαθαίνουμε και εκτελούμε χορούς και χορευτικά από όλα τα μέρη της Ελλάδας. Παρευρισκόμαστε σε διάφορα είδη εκδηλώσεων, όπως σε φεστιβάλς, σε πολιτιστικά δρώμενα, και σε ιδιωτικά πάρτυ. Επίσης δεχόμαστε νέα μέλη ολόχρονα, προτιμότερον σε ηλικίες 17 χρονών και άνω. Δεν χρειάζεται προηγούμενη γνώση ή πείρα. Επικοινωνήστε μαζί μας εάν ενδιαφέρεστε να συμμετάσχετε και εσείς στο πολύ όμορφο χορευτικό μας συγκρότημα.  
We are a Chicago-based Greek Dance Troupe preserving and spreading the rich culture of Greece through our dances, music, and costumes. We learn and perform dances from all regions of Greece. We perform at various types of events such as festivals, cultural events, and private parties. Also, we accept new members year round preferably of at least age 17. No previous dance experience required. Call us if you are interested in booking us for an event or to join our wonderful organization!!!
5 ΕΛΛΗΝΙΚΟΣ ΠΟΛΙΤΙΣΤΙΚΟΣ ΟΜΙΛΟΣ ΟΡΦΕΑΣ
ORPHEUS HELLENIC FOLKLORE SOCIETY Ελληνικός Πολιτιστικός Όμιλος - Ορφέας
The Orpheus Hellenic Folklore Society is a Chicago-based Greek folk dance and traditional arts organization whose mission is to present and perpetuate the rich history and traditions of the folk music, songs and dances of Greece.
ΟΜΙΛΟΥΜΕ ΕΛΛΗΝΙΚΑ
606 Greendale Road Glenview, Illinois 60025
Tel: (847) 657-0958
Website:
http://www.ohfs.org/

E-Mail: orpheus@ohfs.org

Ίγκρες: Η Αποθέωσις του Ομήρου
Η Αποθέωσις του Ομήρου
Ingres' the Apotheosis of Homer.


THE INFLUENCE OF THE ANCIENT GREEK WORDS ON THE ENGLISH LANGUAGE
DRAMA-THEATER  BY DR. JOHN KALARAS

(This writing is published to demonstrate that one can write a sophisticated article by using exclusively words of Greek origin)

DRAMA-THEATRE
The genesis of classical drama, was not symptomatic. A euphoria of charismatic and talented protagonists showed fantastic scenes of historic episodes. The prologue, the theme and the epilogue, comprised the trilogy of drama while synthesis, analysis and synopsis characterized the phraseology of the text. The syntax and phraseology used by scholars, academicians and philosophers in their rhetoric, had many grammatical idioms and idiosyncrasies. The protagonists, periodically used pseudonyms. Anonymity was a syndrome that characterized the theatrical atmosphere. The panoramic fantasy, the mystique, the melody, the aesthetics, the use of cosmetic epithets, are characteristics of drama. Even though the theatres were physically gigantic, there was no need for microphones, because the architecture and the acoustics, would echo isometrically and crystally-clear. Many epistimologists of physics, aerodynamics, acoustics electronics, electromagnetics can not analyze-explain the ideal and isometric acoustics of Hellenic theatres even today. There were many categories of drama: classical drama, melodrama, satyric, epic,comedy, e.t.c. The syndrome of xenophobia or dyslexia was overcome by the pathos of the actors, who practiced methodically and emphatically. Acrobatics were also euphoric. There was a plethora of anecdotal themes, with which acrobats would electrify the ecstatic audience, with scenes from mythical and historical episodes..
Some theatric episodes were characterized as scandalous and blasphemous. Pornography, bigamy, hemophelia, nymphomania, polyandry, polygamy and heterosexuality were dramatized in a pedagogical way, so the mysticism about them would not cause phobia or anathema or taken as anomaly, but through logic, dialogue and analysis, the skepticism and the pathetic or cryptic mystery behind them, would be dispelled. It is historically and chronologically proven, that theatre emphasized pedagogy, idealism and harmony. Paradoxically, it also energized patriotism, a phenomenon that symbolized ethicacy, character and charisma.


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